All of the balances you have worked hard to achieve are now subject to more dynamic control which could very well throw off the balance or vibe of your mix. If you have put time into perfecting your mix with individual track EQ, compression, and fader moves, throwing a compressor onto the mix-bus will yield results that you may not have expected. It is important to note that when deciding to use mix-bus compression, it should not be applied after a mix has been completed.
Since the compressor is looking at the mix as a whole rather than individual tracks, the color and behavior are applied to every instrument which in turn creates the cohesive or “glued” sound that this technique has become known for. The same idea applies to the mix-bus as well except that every instrument is contributing to the behavior of the compressor you have selected. Maybe you like the way it sounds when gain reduction kicks in. Outside of the dynamic control, the compressor you choose may provide a tonal color that you like for a particular instrument. The use of a compressor on a single instrument can do lots of good. How does this happen? Let’s start with compression on a single track. When used correctly, this type of compression can add cohesiveness and punch to mixes that may have been missing before. So what is mix-bus compression exactly? Put simply, it is the use of a compressor on the stereo mix-bus within in your DAW or console output.
0 kommentar(er)
